The End Of All Things is for C R O W N what Kid A was for Radiohead: an album that nobody was expecting from them. Dark and moody; bleak and sublime; airy and crushing; mesmerizing and engrossing; bold yet unerring; strident, danceable and suffocating, all at the same time. An album oozing with tasteful, fragile hooklines flirting with the abyss they are hovering above, encapsulated within an ingenious major production, provided by one half of C R O W N himself: David Husser has worked as a sound engineer, producer and musician all across the globe with artists like Alan Wilder of Depeche Mode or at Peter Gabriel's Real World studio, and has toured with his industrial band Y Front alongside Rammstein in the 90s.
The other half of C R O W N is founding father and vocalist Stéphane Azam, who has worked as live sound engineer for French blackgaze pioneers Alcest for years. Stéphane's low, soothing voice on The End Of All Things comes as a complete surprise to anyone familiar with the band's previous 2 records, which featured mostly screamed vocals – a fact showcasing the immense versatility of the musicians at work here. Furthermore, In contrary to previous efforts, there are (almost) no vocal guest appearances on The End Of All Things – 'almost', because Karin Parks of Årabrot lends her beautiful voice to closing track Utopia.
Crown started out in 2011 as 2 men and a drum machine, and their debut album instantly got them an invitation to the prestigious Roadburn festival in 2013, and a record deal with Candlelight. The duo's early sound was defined by hissing electronics, soaring heavy guitars and the absence of “real” drums, touching on industrial metal acts like Godflesh, Ministry or Killing Joke. The End Of All Things is clearly a departure from that sound in almost every imaginable way. The End Of All Things'is a seminal album, which could well turn into a new 'Shape Of Heavy Music To Come'. Get involved.